Even more remarkable than that first pivot was the band’s 2013 comeback album, Colored Sands, recorded with an entirely new lineup flanking frontman Luc Lemay. Considered Dead and The Erosion of Sanity are both killer slabs of old-school death metal, but from the confounding first riff of 1998’s Obscura, it was clear Gorguts were destined for stranger things. Like Death before them, Québec’s Gorguts started out as a more straightforward death metal band before pivoting into dissonance. Pre-order buy pre-order buy you own this wishlist in wishlist go to album go to track go to album go to track The bands below don’t all sound alike, but they all use dissonance as a key ingredient. Thirty years after the release of Human, death metal has liberated itself from orthodoxy in a dozen different ways. Nobody tagged it as such at the time, but Human marked the birth of dissonant death metal. The riffs grew knottier, the melodies were counterbalanced by off-kilter oddness, and Schuldiner suddenly seemed far less concerned with extremity than with exploration. 1991’s Human, which saw Schuldiner joined by fretless bass wizard Steve DiGiorgio and Cynic founders Paul Masvidal and Sean Reinert, was something entirely new. Leprosy and Spiritual Healing refined and richened that sound. Almost immediately after the release of Scream Bloody Gore, an entire ecosystem had formed around Schuldiner’s harsh vocals, bludgeoning riffs, and thrash-on-amphetamines tempos. Like almost everything in death metal, it all goes back to the visionary frontman of Death, Chuck Schuldiner. This slippery definition might be a symptom of dissodeath’s origins in the Wild West of early extreme metal. Dissonant death metal songs tend to be more adventurous and less bound to traditional riff-chorus-riff structures than more straightforward death metal, but it’s hardly the only metal subgenre that emphasizes that kind of compositional freedom. Virtuosic musicianship is a common thread shared by many dissodeath acts, but chops are also the bedrock of technical death metal, a wholly distinct subgenre. Yet many of the essential bands within the so-called “dissodeath” movement have rich, beautiful melodies at the center of their songs. In theory, this subgenre is primarily defined by what it’s not-its name implies that it’s the exact opposite of melodic death metal. It’s tricky to nail down a working definition of dissonant death metal.

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